This is the place where you can personalize your profile!
But, how?
By moving, adding and personalizing widgets.
You can drag and and drop to rearrange.
You can edit widgets to customize them.
The left side has widgets you can add!
Some widgets you can only access when you get a subscription.
Some widgets have options that are only available when you get a subscription.
We've split the page into zones!
Certain widgets can only be added to certain zones.
"Why," you ask? Because we want profile pages to have freedom of customization, but also to have some consistency. This way, when anyone visits a deviant, they know they can always find the art in the top left, and personal info in the top right.
Don't forget, restraints can bring out the creativity in you!
Now go forth and astound us all with your devious profiles!
So, I finally got a list up and running for the Link of the Night. If you're not on it (as in, don't get this message, and you want to), shoot me a note, or leave a message or just somehow let me know. Same goes for the instance that you want off the list - please let me know.
So, I did some peruzing, and earthed up these three pieces. Happiness is beautiful in its own simplicity, and has a subtle kick to it that I find lacking in a lot of reading these days. The Interview is an interesting little for-the-stage piece that I found myself cracking up over, all over the place. There's some great humor and dialogue going on here, as well as some great subtle toss-ins for the actors to experiment with. Something I would love to see performed.
While Rusting Bridges of Suburbia might be a little ho-hum subject-wise, the rhythm and control of meter that ~ honestbrutality has accomplished here is impeccable. It takes a lot of practice and a lot of control of vocabulary to get a good rhythm in a slam piece these days, and it's done beautifully here.
Hey there sicko. Even though you are reading this via the internet, let me assure you that I am real and exist for reals. Beyond just a bunch of text and pixels, my name is Marco and I barely sleep. No soy como tus amiguitos anonimos de aqui, soy un living, breathing, nerd machine. I just wanted to say that. because the internet makes me feel pretty imaginary plus I have nobody else to bug. emoticon. emotee.
i have a hope they will reach you.
xox.
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love so deep, kills you in your sleep
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mharang
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love so deep, kills you in your sleep
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love so deep, kills you in your sleep
want to make an msn date?
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love so deep, kills you in your sleep
Happiness, by
The Interview, by
Rusting Bridges of Suburbia, by
So, I did some peruzing, and earthed up these three pieces.
Happiness is beautiful in its own simplicity, and has a subtle kick to it that I find lacking in a lot of reading these days.
The Interview is an interesting little for-the-stage piece that I found myself cracking up over, all over the place. There's some great humor and dialogue going on here, as well as some great subtle toss-ins for the actors to experiment with. Something I would love to see performed.
While Rusting Bridges of Suburbia might be a little ho-hum subject-wise, the rhythm and control of meter that ~ honestbrutality has accomplished here is impeccable. It takes a lot of practice and a lot of control of vocabulary to get a good rhythm in a slam piece these days, and it's done beautifully here.
Get writing, fuckos. *jesusbite
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love so deep, kills you in your sleep
--
"he didn't want to be alone."
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"I used to leave things un-finished, but now
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